FINISHING & DECORATION

Edge Gilding Kit

Gold leaf, size, and a burnisher, for gilding the trimmed edges of a text block.

5Finishing stage Rank 21 of 28
Line drawing of a edge gilding kit
Line drawing
Specification
Leaf23 ct gold, 80 × 80 mm, 0.12 µm thick
Leaf count30–60 leaves per book depending on size
SizeGlair (egg white) or acrylic gilding size
BurnisherAgate, curved to the edge profile
Burnishing pressureFirm, fast, and dry
TrimGuillotine or plough, square to 0.05 mm
AtmosphereBelow 55 per cent relative humidity
SealingNone on a burnished edge
Working parameters
Leaf23 carat gold, loose or transfer
SizeGlair or acrylic
Suitable stockAll text blocks
ProcessesFore-edge gilding, top-edge gilding, all-edge gilding
Compatible materialsGold leaf, glair, agate burnisher, cotton wool
Dry timeGlair 1–2 hours; acrylic 30 minutes
HumidityBelow 55 per cent or the leaf will not lie
WasteExpect to lose 20 per cent of the leaf on a first attempt
Overview

Edge gilding is the oldest decoration in bookbinding and still the most impressive. The fore-edge of the text block is trimmed, sized, and then covered with gold leaf that is burnished down with an agate. Done properly, the edge is a mirror and the gold is sealed by the burnishing alone — no varnish.

It is slow and unforgiving. The edge must be trimmed perfectly flat, the size must be exactly right, and the leaf must go down in one pass. A single speck of dust under the leaf shows forever.

5Finishing: Foil, gilding, embossing and edge decoration.

Safety

Before you use itGold leaf is applied with a gilder’s tip on your own skin grease, and it will stick to your fingers permanently. Use the tip, not your hands.
Before you use itGlair is raw egg white and carries a bacterial load. Make it fresh and refrigerate it.
Before you use itA burnisher used with force against a trimmed edge can slip. Keep the other hand out of the path.

Using it well

  • Work in the driest room you have. Humidity is the single thing that ruins more gilding than anything else.
  • Size the edge and let it go tacky — not wet, not dry. Touch it with the back of a finger joint; it should feel like a just-dry varnish.
  • Burnish fast and hard with a dry agate. Slow, gentle burnishing polishes the leaf without sealing it, and the gold will rub off in a week.

What it works with

Papers and substrates

  • All text blocks with a trimmed edge

Type and fonts

  • Not applicable

Processes

  • Fore-edge gilding
  • Top-edge gilding
  • Gilt decoration on covers