Handmade Paper
Sheet formed by hand in a mould: irregular, deckle-edged, and unlike anything machine-made.
| Formation | Hand, one sheet per dip |
| Fibre | Cotton, abaca, flax, or a blend |
| Weight | 60–400 gsm |
| Grain | Effectively none |
| Edges | Four natural deckle edges |
| Thickness variation | ± 12 per cent across a sheet |
| pH | Neutral to slightly alkaline |
| Sizes | Mould-determined, commonly 400 × 500 mm |
| Weight | 60–400 gsm |
| Grain | Effectively random — folds equally well in any direction |
| Edges | Natural deckle, all four sides |
| pH | Neutral to alkaline |
| Processes | Letterpress, folding, sewing, covering |
| Compatible materials | All letterpress inks, starch paste, PVA |
| Minimum type size | About 10 pt, because of surface variation |
| Archival | Yes if cotton or abaca based |
There is a simulator for this. Paper Grain Visualizer runs the same relationships in 3D, so you can change a number and watch what it does to the result.
Handmade paper is made one sheet at a time by dipping a mould into a vat of pulp. The fibres settle randomly rather than aligning in a machine direction, so the sheet has almost no grain — it behaves nearly the same in both directions. The edges are natural deckle rather than cut.
Because the fibres are random, handmade paper folds in any direction without cracking, which makes it excellent for book work. It is also uneven in thickness, which shows in a letterpress impression as a slight variation from sheet to sheet. That is a feature if you want it and a problem if you do not.
Safety
Using it well
- Because there is no grain, you can lay out a book without worrying about fold direction. This is the single biggest practical advantage of handmade stock.
- Print with slightly more packing than you would use on a machine-made sheet. The thickness variation means the impression needs more tolerance.
- Tear rather than cut when you need a deckle edge. Tear against a straight edge with a damp brush line for a controlled edge.
What it works with
Papers and substrates
- Not applicable
Type and fonts
- Any type 10 pt and above
Processes
- Letterpress
- Folding
- Sewing
- Marbling
- Covering
Tools that go with the handmade paper
Cotton Rag Paper
Paper made from cotton fibre: soft, strong, acid-free, and the classic letterpress stock.
Marbling Kit
Size, pigments and a comb, for floating colour onto a tray and lifting it onto paper.
Endpapers
The folded sheet that joins the text block to the cover, and hides the join.