PRINTING PRESSES & TYPE

Ink Brayer

A hand roller that picks ink off the slab and lays it on the forme, evenly.

3Printing stage Rank 6 of 28
Line drawing of a ink brayer
Line drawing
Specification
Width50–250 mm
Diameter40–80 mm
Hardness25–40 Shore A, soft to firm
CoreAluminium or steel
HandleWood or composite, offset
Ink film0.02–0.08 mm on the slab
Rolling passes4–6 on the slab, 2–4 on the forme
CleaningSolvent wipe after every use
Working parameters
Width50–250 mm
Hardness25–40 Shore A
Ink film laid0.02–0.08 mm
Suitable stockAny
ProcessesHand inking, slab mixing, gradient rolling
Compatible materialsLetterpress ink, rubber-based and oil-based
Coverage per chargeRoughly 6–10 impressions per inking on a small forme
LifespanRubber hardens with solvent exposure; replace every few years

There is a simulator for this. Press Simulator runs the same relationships in 3D, so you can change a number and watch what it does to the result.

Open Press Simulator
Overview

The brayer is the simplest tool in the workshop and the one that most affects how a print looks. It is a cylinder of soft rubber or composition on a metal core, with a handle. You roll it across a slab of ink until the film is even, then roll it across the forme until the type is inked.

Hardness matters. A soft brayer conforms to worn type and lays down more ink; a hard one leaves a thinner, sharper film and is better for fine detail. Most studios keep both.

3Printing: Ink, packing and impression on the press.

Safety

Before you use itSolvent used to clean a brayer is the main vapour source in a hand press workshop. Clean rollers in a ventilated area, keep the tin closed, and do not use solvent on your skin.
Before you use itNever leave a brayer resting on its roller. The rubber flats and the tool is ruined.
Before you use itInk on the handle transfers to everything you touch next. Wipe the handle, not just the roller.

Using it well

  • Roll the ink out in both directions on the slab — forward, back, and then across. A film that looks even in one direction is usually still striped in the other.
  • Listen to the brayer on the slab. A dry, hissing sound means the film is thin; a wet, sucking sound means there is too much and it will fill the counters of the type.
  • Ink the forme in one direction only. Rolling back and forth picks ink back up off the type and leaves it uneven.

What it works with

Papers and substrates

  • All papers and boards

Type and fonts

  • Any type or plate

Processes

  • Hand inking
  • Slab mixing
  • Blending two inks on the slab