Tabletop Platen Press
A small clamshell press that prints one sheet at a time, by hand, under a platen.
| Type | Hand-fed platen (clamshell) |
| Impression area | 250 × 380 mm |
| Working height | 23.3 mm (type high) |
| Maximum stock | 1.5 mm, unscored |
| Drive | Hand lever or treadle |
| Impressions per hour | 120–300, hand fed |
| Packing range | 0.4–2.0 mm of tympan and drawsheet |
| Weight | 68–180 kg depending on size |
| Impression area | 250 × 380 mm |
| Platen pressure | Adjustable by screw, 0–8 turns of packing |
| Suitable stock | 60–450 gsm, uncoated preferred |
| Processes | Letterpress relief printing, scoring, die cutting, blind impression |
| Compatible materials | Cotton rag, uncoated text, cardstock, board up to 1.5 mm |
| Floor space | About 900 × 700 mm including the lever arc |
| Noise | A dull thud per impression; not loud, but constant |
There is a simulator for this. Press Simulator runs the same relationships in 3D, so you can change a number and watch what it does to the result.
The platen press is the machine most people picture when they hear "letterpress". A flat forme of type sits on the bed; the paper is held against a hinged platen; the platen closes and the impression is taken. Every impression is a separate, deliberate action, which is why the process is slow and why the results have the character they do.
Tabletop models run from about 8 by 11 inches upward. Below that the platen area is too small for anything but cards and coasters; above about 14 by 18 inches the machine needs a floor-standing frame and a great deal more respect. The useful middle for a small studio is a platen of roughly 10 by 15 inches.
Safety
Using it well
- Start with a kiss impression — barely enough pressure to transfer ink evenly — and add packing in half-sheet steps. Most beginners over-impress on day one and spend a month learning to take it back.
- Set the gauge pins before you ink up. Every impression you take while adjusting the lay is an impression you cannot reuse.
- Keep a sheet of waste paper taped to the tympan. It catches the ink that squeezes past the type and stops it marking the next sheet.
What it works with
Papers and substrates
- Cotton rag 200–300 gsm
- Uncoated card 250–400 gsm
- Handmade paper with a deckle edge
Type and fonts
- Any metal or photopolymer type to 72 pt
- Wood type for display sizes above 72 pt
Processes
- Blind impression
- Scoring
- Die cutting with a steel rule die
- Foil stamping with a heated platen
Tools that go with the tabletop platen press
Vandercook Proof Press
A cylinder proof press: the forme stays put, the cylinder rolls over it, and the sheet comes off even.
Ink Brayer
A hand roller that picks ink off the slab and lays it on the forme, evenly.
Quoins & Furniture
The wedges and spacing blocks that lock a forme tight in the chase so nothing moves.